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​"462 had elements of horror and the abject, which both run parallel courses. The abject is something that disturbs identity, system, order. It does not respect borders, positions or rules. It is the in-between, the ambiguous, and the composite. Whereas beyond fear, horror connects us to one of our most primal desires: voyeurism, the uncontrollable desire to look.  There were no rules or expectations for the audience. I have to stress that. I didn't expect anything, but there is no denying the time we shared was both intimate and emotional. "  - JAM

                                 

462  performance installation; slip-cast  porcelain; press molded stoneware; plaster; cast bronze; hair; wood; fluid; metal; fabric; sound; 2019